We’re cleaning up our email list to make sure that we do not email anyone who does not want to hear from us. You will have got an email last week asking you if you want to stay subscribed. If you did not click the link in that email, then you will have received one today saying you have been unsubscribed from our main mailing list. Don’t worry! If you still want to receive notifications from us regarding things like new projects, please go to www.zooniverse.org/settings/email and make sure you’re subscribed to general Zooniverse email updates.
NOTE: This has not affected emails you get from individual Zooniverse projects.
The AsteroidZoo community has exhausted the data that are available at this time. With all the data examined we are going to pause the experiment, and before users spend more time we want to make sure that we can process your finds through the Minor Planet Center and get highly reliable results.
We understand that it’s frustrating when you’ve put in a lot of work, and there isn’t a way to confirm how well you’ve done. But please keep in mind that this was an experiment – How well do humans find asteroids that machines cannot?
Often times in science an experiment can run into dead-ends, or speed-bumps; this is just the nature of science. There is no question that the AsteroidZoo community has found several potential asteroid candidates that machines and algorithms simply missed. However, the conversion of these tantalizing candidates into valid results has encountered a speed bump.
What’s been difficult is that all the processing to make an asteroid find “real” has been based on the precision of a machine – for example the arc of an asteroid must be the correct shape to a tiny fraction of a pixel to be accepted as a good measurement. The usual process of achieving such great precision is hands-on, and might take takes several humans weeks to get right. On AsteroidZoo, given the large scale of the data, automating the process of going from clicks to precise trajectories has been the challenge.
While we are paused, there will be updates to both the analysis process, and the process of confirming results with the Minor Planet Center. Updates will be posted as they become available.
Thank you for your time.
Today, we launch AnnoTate, an art history and transcription project made in partnership with Tate museums and archives. AnnoTate was built with the average time-pressed user in mind, by which I mean the person who does not necessarily have five or ten minutes to spare, but maybe thirty or sixty seconds.
AnnoTate takes a novel approach to crowdsourced text transcription. The task you are invited to do is not a page, not sentences, but individual lines. If the kettle boils, the dog starts yowling or the children are screaming, you can contribute your one line and then go attend to life.
The new transcription system is powered by an algorithm that will show when lines are complete, so that people don’t replicate effort unnecessarily. As in other Zooniverse projects, each task (in this case, a line) is done by several people, so you’re not solely responsible for a line, and it’s ok if your lines aren’t perfect.
Of course, if you want trace the progression of an artist’s life and work through their letters, sketchbooks, journals, diaries and other personal papers, you can transcribe whole pages and documents in sequence. Biographies of the artists are also available, and there will be experts on Talk to answer questions.
Every transcription gets us closer to the goal of making these precious documents word searchable for scholars and art enthusiasts around the world. Help us understand the making of twentieth-century British art!
Get involved now at anno.tate.org.uk
In late July I led a week-long course about crowdsourcing and data visualization at the Digital Humanities Oxford Summer School. I taught the crowdsourcing part, while my friend and collaborator, Sarah, from Google, lead the data visualization part. We had six participants from fields as diverse as history, archeology, botany and literature, to museum and library curation. Everyone brought a small batch of images, and used the new Zooniverse Project Builder (“Panoptes”) to create their own projects. We asked participants what were their most pressing research questions? If the dataset were larger, why would crowdsourcing be an appropriate methodology, instead of doing the tasks themselves? What would interest the crowd most? What string of questions or tasks might render the best data to work with later in the week?
Within two days everyone had a project up and running. We experienced some teething problems along the way (Panoptes is still in active development) but we got there in the end! Everyone’s project looked swish, if you ask me.
Participants had to ‘sell’ their projects in person and on social media to attract a crowd. The rates of participation were pretty impressive for a 24-hour sprint. Several hundred classifications were contributed, which gave each project owner enough data to work with.
But of course, a good looking website and good participation rates do not equate to easy-to-use or even good data! Several of us found that overly complex marking tasks rendered very convoluted data and clearly lost people’s attention. After working at the Zooniverse for over a year I knew this by rote, but I’d never really had the experience of setting up a workflow and seeing what came out in such a tangible way.
Despite the variable data, everyone was able to do something interesting with their results. The archeologist working on pottery shards investigated whether there was a correlation between clay color and decoration. Clay is regional, but are decorative fashions regional or do they travel? He found, to his surprise, that they were widespread.
In the end, everyone agreed that they would create simpler projects next time around. Our urge to catalogue and describe everything about an object—a natural result of our training in the humanities and GLAM sectors—has to be reined in when designing a crowdsourcing project. On the other hand, our ability to tell stories, and this particular group’s willingness to get to grips with quantitative results, points to a future where humanities specialists use crowdsourcing and quantitative methods to open up their research in new and exciting ways.
-Victoria, humanities project lead
We’re getting excited in Portsmouth to be welcoming some Zooites to the first ever “ZooCon Portsmouth”, which is happening this Saturday 13th September 2014 (An updated schedule is available on the Eventbrite page for the event).
The theme of this event is a Wiki-a-thon for Citizen Science – we have scheduled a working afternoon and improve the coverage of citizen science on Wikipedia. Mike Peel, Expert Wikimedian and astronomer from the University of Manchester will be joining us to lead this part of the event and get us all up to speed with how editing works.
We invite remote participation of the wiki-a-thon via this discussion thread on Galaxy Zoo Talk, or on Twitter with the hashtag #ZooConPort, and we also plan to livestream the morning talks via Google+.
In person attendees will have a treat in the afternoon – we’re all excited to have Chris Lintott narrate planetarium shows in the Portsmouth Inflatable Astrodome. And we plan to end the day with fish and chips at a pub by the sea. Keep your fingers crossed for nice weather.
Here at Zooniverse we’re starting some exciting new work in the humanities!
We’re pleased to announce our new collaboration with Tate Britain, a world-leading institute for art in the modern era, based in London.
Zooniverse and Tate are teaming up to tackle the difficult task of crowd-powered full-text manuscript transcription. This project follows on from the success of projects like Operation War Diary and Old Weather and will no doubt feed into other humanities projects in the future.
The new transcription interface will enable volunteers to read and transcribe the personal papers of modern British artists. Volunteers will encounter letters, notebooks and sketches that reveal artists’ everyday lives, creative practices and the processes by which great works of art were made.
We are seeking a talented front end developer with a passion for art and the humanities to work alongside our humanities specialist and the Zooniverse and Tate teams to deliver the project.
The closing date for applications is 12 noon on 25 July, 2014. For more information and to apply, see here: http://www.jobs.ac.uk/job/AJB887/citizen-science-front-end-developer/
PS: We are also looking for a new web developer to join our team at the Adler Planetarium in Chicago. You can view the job description here.
The Constructing Scientific Communities project (ConSciCom), part of the AHRC’s ‘Science in Culture’ theme, is inviting proposals for citizen science or citizen humanities projects to be developed as part of the Zooniverse platform.
ConSciCom examines citizen science in the 19th and 21st centuries, contrasting and reflecting on engagement with distributed communities of amateur researchers in both the historical record and in contemporary practice.
Between one and four successful projects will be selected from responses to this call, and will be developed and hosted by the Zooniverse in association with the applications. We hope to include both scientific and historical projects; those writing proposals should review the existing range of Zooniverse projects which include not only classification, but also transcription projects. Please note, however, ConSciCom cannot distribute funds nor support imaging or other digitization in support of the project.
Projects will be selected according to the following criteria:
Note it is anticipated that some, but not necessarily all selected projects, will meet this third criterion; please do submit proposals on other topics.
The deadline for submissions is July 25th 2014. You can submit a proposal by following this link http://conscicom.org/proposals/form/
Today we’re launching a new, and hugely important Zooniverse project: Condor Watch. The are only around 200 California Condors living in the wild and they are in serious danger from lead poisoning, which they get by eating carcasses shot with lead bullets. Getting a better idea of how they interact and socialise is crucial to ongoing conservation efforts.
Using camera traps, ecologists in the US have been observing them in the wild. However the sheer volume of images is now overwhelming. Starting today we need your help to look through the first set of data: 264,000 images of condors eating, socialising, and nesting. Ecologists need everyone’s help to identify the individual birds from their numbered tags. Your efforts on this project will help preserve an endangered species – and we think that’s really special.
Try it now at www.condorwatch.org…